{"id":126,"date":"2022-08-29T12:51:23","date_gmt":"2022-08-29T12:51:23","guid":{"rendered":"https:\/\/www.mhaiti.ca\/?post_type=project&p=126"},"modified":"2022-08-29T16:04:32","modified_gmt":"2022-08-29T16:04:32","slug":"levoyexiltableau","status":"publish","type":"project","link":"https:\/\/www.mhaiti.ca\/index.php\/project\/levoyexiltableau\/","title":{"rendered":"levoy exil – Tableau"},"content":{"rendered":"

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Tableaux\u00a0<\/h1>\n

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Levoy Exil<\/h2>\n

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Les peintures d’Exil repr\u00e9sentent souvent des Loas du Vodou ha\u00eftien, des soleils et des \u00e9toiles, des oiseaux et des Marassas. Son style de peinture est primitif et onirique et utilise la technique du pointillisme qui consiste \u00e0 appliquer de petits points distincts dans un motif pour r\u00e9v\u00e9ler une image. Il y a rarement des parties inutilis\u00e9es de la toile dans ses \u0153uvres et il s’inspire d’influences africaines, ha\u00eftiennes et vodoues. \u00ab\u00a0Les lignes sinueuses cr\u00e9ent un effet de figures dansantes sur les toiles de Levoy\u00a0\u00bb. (Peintres Ha\u00eftiens par Gerald Alexis). Ses \u0153uvres repr\u00e9sentent les Loas Marassa du vodou, elles sont issues des racines africaines de Levoy et de la m\u00e9moire des Indiens Arawak. Son style de peinture est onirique et utilise la technique du pointillisme qui consiste \u00e0 appliquer de petits points distincts dans un motif pour r\u00e9v\u00e9ler une image. Il y a rarement des parties inutilis\u00e9es de la toile dans ses \u0153uvres et il puise dans les influences africaines, ha\u00eftiennes et vodoues.<\/div>\n
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\u00ab\u00a0Puis\u00e9s dans le fond mythologique ha\u00eftien, les dessins de Levoy Exil permettent une double lecture. Ces femmes-oiseaux, aux yeux tour atour limpides et inqui\u00e9tants, dardent sur les mots un \u00e9trange regard suspendu entre l’amour et le vide. Elles accompagnent une ecriture qui est valeur refuge, seul lieu oil se tenir et oil, inlassablement, reinventer l’amour ; une ecriture reparatrice, au sens kleinien du terme, qui vise \u00e0 la sublimation du reel. Dans cette cr\u00e9ation legere, les mots coulent de source, un temps brise se recolle car, ecrit Octavio Paz : \u00ab\u00a0le temps de l’amour n’est ni grand ni petit : il est la perception instantanee de tous les temps en un seul, de toutes les vies en un seul instant. ne nous delivre pas de la mort mais il nous oblige a la regarder en face.\u00a0\u00bb (r\u00e9f\u00e9rence)<\/div>\n

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Levoy Exil est n\u00e9 le 7 d\u00e9cembre 1944 \u00e0 Soisson La Montagne, une ville de P\u00e9tion Ville Ha\u00efti, selon le livre que vous consultez, o\u00f9 il a d’abord travaill\u00e9 comme agriculteur.<\/b><\/p>\n

Il est l’un des premiers membres de Saint Soleil, une communaut\u00e9 d’artistes paysans organis\u00e9e par l’artiste ha\u00eftien Tiga, et Maude Robart, elle-m\u00eame \u00e9crivain et peintre.\u00a0<\/span><\/p>\n

\u00a0En 1970, il rencontre Jean Claude Garoute (TIGA) qui fonde le groupe Saint Soleil dans son village natal. Levoy fait partie de ce mouvement avec Louisiana Saint Fleurant, Antilhomme, & Prosper Pierre Louis. Apr\u00e8s la chute de Saint Soleil, il cr\u00e9a le groupe Cinq Soleil.<\/span><\/p>\n

[\/et_pb_toggle][et_pb_toggle title=\u00a0\u00bbActualit\u00e9s\u00a0\u00bb _builder_version=\u00a0\u00bb4.18.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_text_color=\u00a0\u00bb#e09900″ title_level=\u00a0\u00bbh1″ title_font=\u00a0\u00bb|700||on|||||\u00a0\u00bb border_width_all=\u00a0\u00bb5px\u00a0\u00bb border_color_all=\u00a0\u00bb#0b4c1a\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Il expose dans plus de soixante pays dont les Etats-Unis, Ha\u00efti, le Japon, la France, l’Allemagne, la Roumanie, le Canada, l’Angleterre, l’Italie. Au Salon des Arts Plastiques de La Rochelle, il a re\u00e7u la M\u00e9daille du Mill\u00e9naire. Exil a particip\u00e9 \u00e0 des conf\u00e9rences sur le vodou ha\u00eftien, dont le 9e colloque international de KOSANBA qui s’est tenu \u00e0 Mirebalais en juillet 2009.<\/span><\/p>\n

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(514)326-3022<\/p>\n

[\/et_pb_blurb][et_pb_blurb title=\u00a0\u00bbHoraire\u00a0\u00bb use_icon=\u00a0\u00bbon\u00a0\u00bb font_icon=\u00a0\u00bb||divi||400″ icon_color=\u00a0\u00bb#BCA274″ image_icon_width=\u00a0\u00bb32px\u00a0\u00bb _builder_version=\u00a0\u00bb4.18.0″ _module_preset=\u00a0\u00bb20c40ba4-909d-4834-a9fb-9de1fd8d3c78″ header_font=\u00a0\u00bbInknut Antiqua|||on|||||\u00a0\u00bb header_text_color=\u00a0\u00bb#BCA274″ header_font_size=\u00a0\u00bb11px\u00a0\u00bb header_letter_spacing=\u00a0\u00bb1.5em\u00a0\u00bb header_line_height=\u00a0\u00bb1.2em\u00a0\u00bb body_font=\u00a0\u00bbGrenze|600|||||||\u00a0\u00bb body_text_color=\u00a0\u00bb#000000″ body_font_size=\u00a0\u00bb20px\u00a0\u00bb body_line_height=\u00a0\u00bb1.4em\u00a0\u00bb body_link_text_color=\u00a0\u00bb#000000″ text_orientation=\u00a0\u00bbcenter\u00a0\u00bb body_font_size_tablet=\u00a0\u00bb25px\u00a0\u00bb body_font_size_phone=\u00a0\u00bb20px\u00a0\u00bb body_font_size_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb icon_font_size=\u00a0\u00bb32px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

9H \u00e0 17H
Lundi-Vendredi<\/p>\n

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Maison d’Haiti<\/h2>\n

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info@mhaiti.org<\/p>\n

[\/et_pb_blurb][et_pb_blurb title=\u00a0\u00bbAdresse\u00a0\u00bb use_icon=\u00a0\u00bbon\u00a0\u00bb font_icon=\u00a0\u00bb||divi||400″ icon_color=\u00a0\u00bb#BCA274″ image_icon_width=\u00a0\u00bb32px\u00a0\u00bb _builder_version=\u00a0\u00bb4.18.0″ _module_preset=\u00a0\u00bb20c40ba4-909d-4834-a9fb-9de1fd8d3c78″ header_font=\u00a0\u00bbInknut Antiqua|||on|||||\u00a0\u00bb header_text_color=\u00a0\u00bb#BCA274″ header_font_size=\u00a0\u00bb11px\u00a0\u00bb header_letter_spacing=\u00a0\u00bb1.5em\u00a0\u00bb header_line_height=\u00a0\u00bb1.2em\u00a0\u00bb body_font=\u00a0\u00bbGrenze|600|||||||\u00a0\u00bb body_text_color=\u00a0\u00bb#000000″ body_font_size=\u00a0\u00bb20px\u00a0\u00bb body_line_height=\u00a0\u00bb1.4em\u00a0\u00bb body_link_text_color=\u00a0\u00bb#000000″ text_orientation=\u00a0\u00bbcenter\u00a0\u00bb body_font_size_tablet=\u00a0\u00bb25px\u00a0\u00bb body_font_size_phone=\u00a0\u00bb20px\u00a0\u00bb body_font_size_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb icon_font_size=\u00a0\u00bb32px\u00a0\u00bb locked=\u00a0\u00bboff\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

3245 av. \u00c9mile-Journault<\/span>
Montr\u00e9al (Qu\u00e9bec) H1Z-0B1<\/span>
Canada<\/span><\/p>\n

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Les peintures d’Exil repr\u00e9sentent souvent des Loas du Vodou ha\u00eftien, des soleils et des \u00e9toiles, des oiseaux et des Marassas.<\/p>\n","protected":false},"author":1,"featured_media":114,"comment_status":"open","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":""},"project_category":[9],"project_tag":[],"_links":{"self":[{"href":"https:\/\/www.mhaiti.ca\/index.php\/wp-json\/wp\/v2\/project\/126"}],"collection":[{"href":"https:\/\/www.mhaiti.ca\/index.php\/wp-json\/wp\/v2\/project"}],"about":[{"href":"https:\/\/www.mhaiti.ca\/index.php\/wp-json\/wp\/v2\/types\/project"}],"author":[{"embeddable":true,"href":"https:\/\/www.mhaiti.ca\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mhaiti.ca\/index.php\/wp-json\/wp\/v2\/comments?post=126"}],"version-history":[{"count":6,"href":"https:\/\/www.mhaiti.ca\/index.php\/wp-json\/wp\/v2\/project\/126\/revisions"}],"predecessor-version":[{"id":162,"href":"https:\/\/www.mhaiti.ca\/index.php\/wp-json\/wp\/v2\/project\/126\/revisions\/162"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.mhaiti.ca\/index.php\/wp-json\/wp\/v2\/media\/114"}],"wp:attachment":[{"href":"https:\/\/www.mhaiti.ca\/index.php\/wp-json\/wp\/v2\/media?parent=126"}],"wp:term":[{"taxonomy":"project_category","embeddable":true,"href":"https:\/\/www.mhaiti.ca\/index.php\/wp-json\/wp\/v2\/project_category?post=126"},{"taxonomy":"project_tag","embeddable":true,"href":"https:\/\/www.mhaiti.ca\/index.php\/wp-json\/wp\/v2\/project_tag?post=126"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}