{"id":118,"date":"2022-08-29T12:23:36","date_gmt":"2022-08-29T12:23:36","guid":{"rendered":"https:\/\/www.mhaiti.ca\/?post_type=project&p=118"},"modified":"2022-08-29T15:37:21","modified_gmt":"2022-08-29T15:37:21","slug":"levoyexil","status":"publish","type":"project","link":"https:\/\/www.mhaiti.ca\/index.php\/project\/levoyexil\/","title":{"rendered":"Levoy Exil"},"content":{"rendered":"

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LEVOY EXIL<\/h1>\n

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Peintre Vaudou<\/h2>\n

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Levoy Exil, peintre ha\u00eftien n\u00e9 le\u00a07 d\u00e9cembre 1944\u00a0\u00e0\u00a0Soisson-la-Montagne\u00a0(une localit\u00e9 d\u00e9pendante de\u00a0P\u00e9tion-Ville) \u00e0\u00a0Ha\u00efti, est un peintre\u00a0vaudou.<\/p>\n

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Levoy Exil travaille d’abord comme agriculteur comme son p\u00e8re, avant de se lancer dans la ma\u00e7onnerie. En 1970, Levoy Exil rencontre Jean-claude Garoute et Maud qui fondent le groupe Saint-Soleil dans son village natal. Il fait partie de ce mouvement avec, notamment, les peintres Louisiane Saint-Fleurant, Antilhomme et Prosp\u00e8re Pierre Louis.<\/p>\n

Apr\u00e8s la chute de Saint-Soleil, Levoy Exil fonde les Cinq Soleils (Louisiane Saint Fleurant, Denis Smith, Paul Dieuseul, Levoy Exil, Prosp\u00e8re Pierre Louis). Il exposera ensuite dans plus de 57 pays dont les \u00c9tats-Unis, Japon, Isra\u00ebl, Europe … . Il fut re\u00e7u \u00e0 Nancy puis \u00e0 Paris dans les galeries nationales du Grand Palais \u00e0 l\u2019occasion de l\u2019exposition \u00ab Art Na\u00eff, Art Vaudou \u00bb donn\u00e9e en 1988. Prim\u00e9 \u00ab\u00a0M\u00e9daille du Mill\u00e9nium\u00a0\u00bb en 2000 lors du salon d\u2019Art Plastique de La Rochelle, il est \u00e9galement tr\u00e8s pr\u00e9sent aux \u00c9tats-Unis et au Japon et vient de participer en juin dernier \u00e0 la prestigieuse 44e \u00e9dition du festival Smithsonian Folklife2 de Washington. Malgr\u00e9 son succ\u00e8s international, Levoy Exil n\u2019a pas abandonn\u00e9 la vie simple qu\u2019il aime et il se partage aujourd\u2019hui entre l\u2019enseignement de sa passion et sa peinture. Il exposera \u00e9galement en 2009 au Mus\u00e9e du Montparnasse3 \u00e0 Paris pour l’exposition \u00ab\u00a0le dernier voyage d’Andr\u00e9 Malraux en Ha\u00efti\u00a0\u00bb.<\/p>\n

\u00c0 la suite de son voyage en 1975 en Ha\u00efti, qui sera aussi son dernier, Andr\u00e9 Malraux d\u00e9cide de consacrer un chapitre entier de son livre L’intemporel – la M\u00e9tamorphose des Dieux \u00e9dit\u00e9 chez Gallimard en 1976 au mouvement Saint Soleil. \u00c9videmment l’ouvrage contribue de mani\u00e8re foudroyante \u00e0 la reconnaissance mondiale de ces artistes perdus au milieu d’Ha\u00efti. Malraux illustre une pleine page de son livre avec une \u0153uvre de Levoy Exil et ose m\u00eame \u00e9crire page 330 \u00ab\u00a0Picasso voulait que ses tableaux du Palais des Papes atteignissent la libert\u00e9 qu’atteint celui de Levoy Exil parce que le peintre ha\u00eftien ignore la peinture des autres. Mais ces tableaux d’Avignon sont manifestement des \u0153uvres professionnelles du XXe si\u00e8cle post\u00e9rieures au cubisme, et dont la fr\u00e9n\u00e9sie d’\u00e9chapper \u00e0 l’art appartient \u00e0 celui-ci, alors que le peintre ha\u00eftien ne tente pas d’\u00e9chapper \u00e0 un englobant qu’il ignore\u00a0\u00bb. Malraux est impressionn\u00e9 par la force et la qualit\u00e9 des \u0153uvres de Saint-Soleil qu’il trouve tr\u00e8s proche de l’art brut.<\/p>\n

D’apr\u00e8s Malraux l’art des Saint Soleil s’apparente beaucoup \u00e0 une s\u00e9ance vaudou. Selon les peintres eux-m\u00eames, ce sont les esprits (les loas) qui guident leurs mains et non pas la raison. Ils peignent de mani\u00e8re instinctive sans r\u00e9fl\u00e9chir. Ils sont, d’apr\u00e8s eux, en communication directe avec les arri\u00e8res mondes lors de leurs travaux artistiques. Ce que nous d\u00e9couvrons ensuite sur la toile est une repr\u00e9sentation de formes, de visages qui n’appartiendraient pas \u00e0 notre monde visible. Levoy Exil est par ailleurs hant\u00e9 par la m\u00e9moire des indiens Arawak, premiers occupants d\u2019Hispanola (Ha\u00efti), plus que par le souvenir de ses anc\u00eatres africains<\/span>6<\/a><\/sup>.<\/span><\/p>\n

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(514) 326-3022<\/p>\n

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9h\u00a0 \u00e0 17h
Lundi- Vendredi<\/p>\n

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Maison d’Haiti<\/h2>\n

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info@mhaiti.org<\/p>\n

[\/et_pb_blurb][et_pb_blurb title=\u00a0\u00bbAdresse\u00a0\u00bb use_icon=\u00a0\u00bbon\u00a0\u00bb font_icon=\u00a0\u00bb||divi||400″ icon_color=\u00a0\u00bb#BCA274″ image_icon_width=\u00a0\u00bb32px\u00a0\u00bb _builder_version=\u00a0\u00bb4.18.0″ _module_preset=\u00a0\u00bb20c40ba4-909d-4834-a9fb-9de1fd8d3c78″ header_font=\u00a0\u00bbInknut Antiqua|||on|||||\u00a0\u00bb header_text_color=\u00a0\u00bb#BCA274″ header_font_size=\u00a0\u00bb11px\u00a0\u00bb header_letter_spacing=\u00a0\u00bb1.5em\u00a0\u00bb header_line_height=\u00a0\u00bb1.2em\u00a0\u00bb body_font=\u00a0\u00bbGrenze|600|||||||\u00a0\u00bb body_text_color=\u00a0\u00bb#000000″ body_font_size=\u00a0\u00bb20px\u00a0\u00bb body_line_height=\u00a0\u00bb1.4em\u00a0\u00bb body_link_text_color=\u00a0\u00bb#000000″ text_orientation=\u00a0\u00bbcenter\u00a0\u00bb body_font_size_tablet=\u00a0\u00bb25px\u00a0\u00bb body_font_size_phone=\u00a0\u00bb20px\u00a0\u00bb body_font_size_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb icon_font_size=\u00a0\u00bb32px\u00a0\u00bb locked=\u00a0\u00bboff\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

3245 av. \u00c9mile-Journault<\/span>
Montr\u00e9al (Qu\u00e9bec) H1Z-0B1<\/span>
Canada<\/span><\/p>\n

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Levoy Exil, peintre ha\u00eftien n\u00e9 le\u00a07 d\u00e9cembre 1944\u00a0\u00e0\u00a0Soisson-la-Montagne\u00a0(une localit\u00e9 d\u00e9pendante de\u00a0P\u00e9tion-Ville) \u00e0\u00a0Ha\u00efti, est un peintre\u00a0vaudou.<\/p>\n","protected":false},"author":1,"featured_media":123,"comment_status":"open","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":""},"project_category":[8],"project_tag":[],"_links":{"self":[{"href":"https:\/\/www.mhaiti.ca\/index.php\/wp-json\/wp\/v2\/project\/118"}],"collection":[{"href":"https:\/\/www.mhaiti.ca\/index.php\/wp-json\/wp\/v2\/project"}],"about":[{"href":"https:\/\/www.mhaiti.ca\/index.php\/wp-json\/wp\/v2\/types\/project"}],"author":[{"embeddable":true,"href":"https:\/\/www.mhaiti.ca\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mhaiti.ca\/index.php\/wp-json\/wp\/v2\/comments?post=118"}],"version-history":[{"count":8,"href":"https:\/\/www.mhaiti.ca\/index.php\/wp-json\/wp\/v2\/project\/118\/revisions"}],"predecessor-version":[{"id":149,"href":"https:\/\/www.mhaiti.ca\/index.php\/wp-json\/wp\/v2\/project\/118\/revisions\/149"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.mhaiti.ca\/index.php\/wp-json\/wp\/v2\/media\/123"}],"wp:attachment":[{"href":"https:\/\/www.mhaiti.ca\/index.php\/wp-json\/wp\/v2\/media?parent=118"}],"wp:term":[{"taxonomy":"project_category","embeddable":true,"href":"https:\/\/www.mhaiti.ca\/index.php\/wp-json\/wp\/v2\/project_category?post=118"},{"taxonomy":"project_tag","embeddable":true,"href":"https:\/\/www.mhaiti.ca\/index.php\/wp-json\/wp\/v2\/project_tag?post=118"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}